GISELLE

GISELLE
Adolphe Adam

Choreography and direction:
Mirna Sporiš Miani
Set design:
Costume design:
Lighting design:
Ivan Lušičić
Sound design:
Petar Ivanišević
Wig / makeup:
Dino Baksa
Choreography Assistants:
Albina Rahmatullina / Vladimir Šuvalov
Headpiece Making:
Mirna Sporiš Miani / Ankica Matijaš
Pedagozi polaznika GŠ Josipa Hatzea: Korana Bilan, Miroslava Oravcovà
Polaznike OŠ za klasični balet i suvremeni ples pri OŠ Vežica uvježbali: Jelena Lečić, Alena Medič
Production assistant:
Gorenka Žižić Jagar
Predstava se izvodi uz snimku Orkestra Opere HNK-a Split pod dirigentskim vodstvom Andreja Vesela
Dancers:
Daria Manoilo / Danil Podhruško / Igor Gluškov / Sviatoslav Kashchii / Remus Dimache / Ania Bartkowski / Sanja Bikić / Eva Karpilovska / Maksym Bilokrinytsky / Giulia Del Grande / Rimi Mizuoka / Mirabelle Tošković / Urara Onomata / Noa Shoda / Stella Duerden / Uliana Saiko / Teja Sever / Ella Rose Churchill / Tea Patriarca / Maja Lončar / Marta Thynne / Yelyzaveta Nadenenko / Anastasiia Boiko / Mariia Yurchenko / Cvita Žižić / Yehor Horbunov / Robbie Fisher / Felix Boboi / Kostiantyn Lubko / Jean Baptiste Besson / Patrik Knausz / Aleksa Petrović / Oleh Bondar / Karlo Gadanec / Erika Grudić Banjavčić / Paola Baričević / Ani Džimbeg / Lana Šneler / Ela Radetić / Mara Rački / Marala Nikolić / Mia Maria Sertić / Judita Mužić / Marta Nikolić / Sydney Mila Baretić / Svjetlana Dimache / Nikol Marčić / Greta Tibljaš / Eva Keškić / Sara Uršić / Laura Konosić / Ashatbek Yusupuhanov / Romulus Dimache / Oleksandr Horban / Felix Boboie / Marijan Ević / Zvonimir Jerković / Matea Milas / Noa Shoda / Urara Onomata / Anastasiia Boiko / Anastasiia Boiko / Yelyzaveta Nadenenko / Mirabelle Tošković / Rimi Mizuoka / Ella Rose Churchill / Tea Patriarca / Giulia Del Grande / Jade Luna Conner / Marta Thynne / Stella Duerden / Cvita Žižić / Uliana Saiko / Mariia Yurchenko / Teja Sever / Tena Madunić / Hana Patricija Popovski / Leticia Ozretić Rašković / Marieta Lozić / Nikolina Marković / Dora Malkoč / Sara Uršić / Eva Keškić / Greta Tibljaš
Ballet master:
Sanja Dimache
Stage manager:
Tetyana Borščagivska
Duration:
1:55
The performance is performed with one intermission

The ballet Giselle is an iconic work that, since its triumphant Parisian premiere in 1841, has remained an essential part of the dance world, considered by many to be the most significant achievement of ballet romanticism. Adolphe Adam’s music and the two acts with completely different atmospheres are key elements, along with the unity of music, movement, acting, and dance, that have granted Giselle immortality in the world of “white ballets.”

Giselle marked a turning point in the development of classical ballet. The contrast between the realism of the first act’s story and the fantastical content of the second, or “white,” act, became a model for all subsequent great ballet masterpieces.

The ballet premiered in Paris in 1841. Jules Perrot and Jean Coralli left a deep mark on the history of ballet with their choreography, while the libretto, based on a story about spirits and fairies by the German writer Heinrich Heine, was written by Théophile Gautier, Jules-Henry Vernoy de Saint-Georges, and Jean Coralli.

 

Synopsis

The ballet is set in medieval Germany. Giselle, a beautiful and free-spirited peasant girl, is in love with an attractive stranger named “Loys,” unaware that he is actually Duke Albrecht, who is betrothed to Princess Bathilde. When the forester Hilarion, also in love with Giselle, reveals his rival’s true identity, tragedy ensues. Giselle goes mad and dies of a broken heart in Albrecht’s arms.

After Giselle’s burial in the forest, her spirit is summoned to join the Wilis—the vengeful ghosts of young girls who died before their wedding day. To seek revenge, the Wilis rise from their graves every night and force any man who crosses their path to dance to exhaustion until he collapses and dies.

When a remorseful Albrecht visits Giselle’s grave, she appears to him as a spirit. He begs for forgiveness, and Giselle, whose love has not diminished, forgives him. However, Albrecht becomes a target of the Wilis, and their merciless queen, Myrtha, forces him to dance. Unwilling to let her beloved die, Giselle protects Albrecht, defending him until the morning bells herald the dawn. The Wilis are then forced to disappear, and Giselle, whose love has transcended death, is forever freed from their power and returns to her grave to rest in peace.